Richard Silverstein

Israeli Delusion in Anti-Iran Propaganda

Decrease Font Size Increase Font Size Text Size Print This Page

The Israeli power of delusion is evident in this short film called, The Last Day, which purports to film the last moments of an Israeli family before Iran drops a nuclear bomb on Israel and obliterates it. The film, created by Ronen Barany, is shot in faux-documentary style with lots of shots of Israelis in extremis including suitably shaky, off kilter camera angles proclaiming it a product of ersatz cinema verite.

While the computer enhanced graphics showing massive explosions in the Israeli hillside may shock Israelis used to viewing a relatively tranquil landscape, the boom-boom screams out “computer enhancement.” If this were still photography critics would call it a photoshopped reality. We’ll have to come up with another name for an altered reality via video.

It should go without saying (but I’ll say it nevertheless), that the film is even more interesting for what it leaves out than what it includes. It presumes a backstory which the viewer fills in (hence the power of effective propaganda) of a hegemonic power-mad Iran hell-bent on getting nukes and using them on its bitterest foe, Israel. The poor Israeli shlumps in this movie are of course the collateral damage of Iranian megalomania. They’re innocent victims. No reference to any role Israel itself may’ve played in this conflict. Israel is doing nothing but defending itself from pure evil.

This film is a perfect example of how an entire people can be anesthetized and transported into an altered state of reality that shows them to be innocent lambs led to the slaughter; when in fact they are just as much agents of their own destiny as their enemies are.

The fact that this film is pimped by a RP rep for 5W PRRonn Torossian’s agency (who also pimps the Clarion Fund anti-Muslim films along with porn stars and has been charged with extorting millions of dollars from the followers of an Israeli Sephardic wonder rabbi) tells you reams about the film’s subtext.

You must be logged in to post a comment Login